In the days after the Japanese attack on Pearl Harbor, panic sets in among California's citizens, who imagine their shores as the next target. Military and civilian defenders of the West Coast embark on self-appointed missions to protect the nation. Meanwhile, the crew of a lost Japanese submarine selects Hollywood as its mark. Steven Spielberg directed the all-star cast, which includes Dan Aykroyd, John Belushi and Ned Beatty.
| 1 hr 58 mins |
Nominated for 3 Oscars. See all awards »
| Steven Spielberg |
| Buzz Feitshans | producer |
| Janet Healy | associate producer |
| Bob Gale | |
| Bob Gale | story |
| Dan Aykroyd | Sgt. Frank Tree |
| Ned Beatty | Ward Douglas |
| John Belushi | Capt. Wild Bill Kelso |
| Lorraine Gary | Joan Douglas |
| Bobby Di Cicco | Wally Stephens |
| Murray Hamilton | Claude Crumn |
| Christopher Lee | Capt. Wolfgang von Kleinschmidt |
| Tim Matheson | Capt. Loomis Birkhead |
| ToshirĂ´ Mifune | Cmdr. Akiro Mitamura |
| Warren Oates | Col. 'Madman' Maddox |
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One of the most satisfying things about reviewing movies is that you get to defend the ones you love. Steven Spielberg's 1941 is a film that has been ridiculed, vilified and just plain hated since it was released in 1979. Yes, it's way overdone and quite cartoonish, but I think it's damn entertaining.
Hey, blame Universal. They're the ones who kept throwing money at this project when it was widely known throughout Hollywood that it was a mess. But guess what? It's funny. Sure, it's a misfire and it lost A LOT of money, but it makes me laugh every time I see it and I watch it about once a year. Young Steven obviously bit off a little more than he could chew on this one, and sometimes it threatens to explode like a tube of toothpaste in a microwave oven, but let's examine the good points: 1. The story--A small California town near Hollywood, in the grips of war hysteria, believe they are being attacked by a Japanese submarine and a fleet of airplanes. Turns out they're right, but it doesn't really matter here. What matters is slapstick humor and a bunch of destruction. I mean a LOT of destruction. (More on that later.) 2. The cast--John Belushi, Dan Aykroyd, Tim Matheson, John Candy, Ned Beatty, Robert Stack, Nancy Allen, Treat Williams, John Candy, Warren Oates, Christopher Lee, Toshiro Mifune, Slim Pickens, Eddie Deezen, Perry Lang, Bobby Di Cicco, even Michael McKean and David Lander (Lenny & Squiggy) show up together. 1941 offers some great comedic characters in just over-the-top ridiculous situations. (Would you fly a plane just to sleep with Nancy Allen?) 3. The spectacle--The USO dancing scenes are wonderful, Spielberg's Rube Goldberg-like contraptions are great, everyone screaming things like "What the HELL is THAT?", and everyone looks like they're having fun with this movie. (Indeed, it is well documented that 1941 was NOT a "fun shoot".) This movie offers some things that you've never seen in a movie before, and won't ever again. Which leads us to.... [ show more ]
4. The destruction--Everything in this movie gets destroyed: Beautiful mountaintop houses, giant Ferris wheels (in a classic scene), four or five airplanes, dance halls, movie theaters, Santa Claus, and especially people. There are pratfalls, huge brawls, nasty fistfights and air battles. (Hey, it was co-written by Bob Gale, Robert Zemeckis, and John Milius. These guys would go on to somewhat successful careers.) 5. The rest--There are car chases, motorcycle chases, and Japanese soldiers disguised as Christmas trees (in the director's cut.) There's Slim Pickens being forced to poop at gunpoint, chubby Wendy Jo Sperber desperately trying to make out with Treat Williams (who gives a wonderfully sleazy performance), and nerdy Eddie Deezen as the world's most annoying ventriloquist. There's Ned Beatty shooting an anti-aircraft gun through his house, Dan Aykroyd frothing at the mouth, smooth Tim Matheson trying to get some lovin', and John Belushi sweating and flipping out every five minutes.
6. My reasoning--I've stated before that movies you love as a kid you often feel very passionately about as you get older. (Although I have since reconsidered my long-ago love for Scavenger Hunt.) An 11-year old movie nut doesn't know anything about narrative or a director in over his head. I watched this with wide-eyed amazement when I was a kid, and I still do to this day. Although it's a satire, I wouldn't classify it in the same vein as Airplane! or the like. It's more like a Mad Magazine version of the war. I realize it's a mess, but it's a movie I will always love and defend.
Disclaimer: It's tough for a movie like 1941 to earn any new fans, because of its reputation as a monumental bust. This is no Howard the Duck or Ishtar, you know. (By the way, neither of those movies is as bad as the critical Armageddon they both received, either.) I think Spielberg was due for some backlash thanks to the brilliant work he did on Jaws and Close Encounters, and 1941 is certainly an easy target. I wish more people liked this movie. It would make my life so much less stressful.
Plus, you have to love a movie that has a tank drive through a paint store, come out the other side looking like a rainbow, then having it drive through a turpentine plant, only to end up spotless. It's just a brilliant and wonderful waste of Hollywood money.
Yes, I give it ten stars. I do this because I love it and NOT because I think it's a 'brilliant and wonderful' movie. Guilty pleasures are one of the best things in life, and 1941 will always have a welcome spot in my movie collection. And Spielberg knew what he was doing: When you close your movie with a picture of each cast member screaming at the top of their lungs over the credits, well that's just fun. Oh, and John Williams contributes one of the great musical scores of the past twenty years in this movie, period. [ show less ]
1941 is considered to be Steven Spileberg's folly, a screwball farce about the Japanese invading America after pearl harbour, starring some of the greatest actors and comedians that ever lived. Some people hate it, I love it. Sorry for all you haters, but I guess the things I like are the things you dislike, but for the life of me, I can't understand why this movie is considered Spielberg's worst movie. For one, it's watchable, and for another, it's not full of Spielberg Schmaltz, (the thing i hate most about Senior Speilbergo's later movies, i.e Hook, Always, AI).
Treat Williams is an a$$hole but no-one plays a$$holes better (see; things to do in Denver when your dead), Robert Stack crying while watching Dumbo when a full scale dogfight rages outside the theatre, Ned Beatty destroying his house in an attempt to fight the Japanese, Slim Pickens faking doing a sh!t while Toshiro Mifune and Christopher Lee wait to find out if he's passed a compass. I'm sorry but but those are all comedic gems. Okay, so Belushi is wasted and is seemingly in this move for no reason, but Belushi in a cockpit without a bottle opener is funnier than anything with Sean William Scott in it. For me this movie hits all the right notes, and on reflection makes some very good points (the two numbskull's who mistakenly think Belushi's plane is a German fighter...the paranoia of anyone living in a coastal town after pearl harbour). [ show more ]
Give it another chance, then watch Jaws if you still don't like it. [ show less ]
Those who can't find humor in "1941" need to loosen up. This is one of the few movies I have ever purchased for my own personal collection. The Ferris wheel scene alone is an all-time classic. This is the type of picture that is fun to watch after a hard day at work. Open up a beer and enjoy.