Joel and Priscilla have been in love since they were children. Mark announces his engagement to her without obtaining her permission...
| 1 hr 25 mins |
This movie is not available from any of our known sources.
| William Nigh |
| William Nigh | producer |
| Joseph Farnham | titles |
| Richard Schayer | continuity |
| Ramon Novarro | Joel Shore |
| Joan Crawford | Priscilla Crowninshield |
| Ernest Torrence | Captain Mark Shore |
| Frank Currier | Jeremiah Shore |
| Dan Wolheim | Noah Shore |
| Duke Martin | Matthew Shore |
| Edward Connelly | Joshua Croninshield |
| Jim Mason | Ship's Mate Finch (as James Mason) |
| Pat Harmon | Sailor from the Santa Rosa (uncredited) |
| Chris-Pin Martin | Sailor from the Santa Rosa (uncredited) |
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The story is well known and has been made often. Two brothers in love with the same woman. Of course, the one she is betrothed to is NOT the one she loves.
The only remaining copy of this film was saved and restored right before it disintegrated; so the viewing can be a bit blotchy, especially towards the end.
Joan Crawford is still learning her craft and does a lot of the silent-star grimacing that so often accompanies the over-acting damsel-in-distress routine of the 20's. She is definitely miscast in the role of a milquetoast girl who won't speak her mind to the right people. But it is interesting to watch her as she puts her best foot forwards, as always.
Ramon Novarro is the real STAR of this movie. There are abundant close-ups and he really does have a timeless magic. His boyishness and earnest attitude seems very real and is completely endearing. His character is well-cast and his is the only believable role aside from the villain ship-mate played by Jim Mason. [ show more ]
Ernest Torrence has the best role for an actor with opportunities galore to chew the scenery ... and he DOES with gusto. Much too old for the part he is playing, his saving grace is that he IS a likeable curmudgeon and the viewer may choose to overlook his miscasting.
If you love Novarro, don't miss this. If you love Crawford, check her out as she attends MGM's acting class 101. If you love sea dramas, this is just ok. As a silent film, it's watchable and mildly entertaining, but no great classic. [ show less ]
A rare chance to watch Joan Crawford just before her breakthrough in silent pictures the same year, when she starred in `Our Dancing Daughters' as the epitome of the '20s flapper. In this movie she plays the lady-in-between (and the cause of sibling rivalry) seamen brothers Ramon Novarro (Joel Shore) and Ernest Torrence (Captain Mark Shore).
Crawford does a fine job playing the ingénue, and boy! does she look different from the trademark image she adopted from the 1930s onwards: in this picture her features look much softer, she has `smaller' lips, etc. (sort of the '20s look).
But, I must have to note that this is Novarro's film all the way, playing devil-may-care Joel Shore, the youngest of four seaman brothers, who becomes a full-fledged, grown-up man, the hard way. [ show more ]
Novarro's flair for comedy, playing and foolin' around, making practical jokes and having lots of fun, is at full display in the first half of the picture (these scenes are heartfelt and very believable), before he has to confront life and his much admired eldest brother (Torrence), because of their love for the same woman. A very entertaining film, you almost forget it's silent.
The same story had been filmed before by Metro pictures in 1923, using the original story's title "All the Brothers were Valiant", starring Malcolm McGregor, Lon Chaney and Billie Dove. Then again, it was remade by MGM in 1953 as "All the brothers were valiant" with Robert Taylor, Stewart Granger and Ann Blyth. [ show less ]
Two brothers dream of their love for the same girl back home, while aboard ship sailing ACROSS TO SINGAPORE.
Based on the famous adventure story All The Brothers Were Valiant' by Ben Ames Williams, this is a rousing silent film which features strong action & good acting. The production values are first-rate, as is to be expected from MGM. Although the plot becomes somewhat ludicrous - the hero kidnaps the heroine off to the Orient where they confront a dastardly mutiny - the film is certainly never dull.
Ramon Novarro stars as the youngest son in a sea-faring family of hardy men. (The Studio kept their Mexican star constantly roaming from one ethnic identity to another; here he plays Anglo-Saxon.) Giving a typically robust performance, Novarro is not lacking in the heroics necessary to beguile his audience. It is unfortunate that Novarro's films, silent & sound, with the exception of BEN-HUR (1925), are all but forgotten today. [ show more ]
Big, blustering Ernest Torrence steals more than a scene or two as Novarro's sea captain brother; gruff & gentle by turns, he is indeed valiant. Joan Crawford, early in her film career, is the object of both brothers' affections. Just when she seems a mite too demure, Joan's fire begins to spark; she also proves to be a surprisingly good pistol shot during the mutiny.
Movie mavens will recognize an unbilled Anna May Wong as a Celestial temptress. [ show less ]