Living in Kentucky prior to the Civil War, Amantha Starr is a privileged young woman. Her widower father...
| 2 hr 5 mins |
| Clark Gable | Hamish Bond |
| Yvonne De Carlo | Amantha Starr |
| Sidney Poitier | Rau-Ru |
| Efrem Zimbalist Jr. | Lt. Ethan Sears |
| Rex Reason | Capt. Seth Parton |
| Patric Knowles | Charles de Marigny |
| Torin Thatcher | Capt. Canavan |
| Andrea King | Miss Idell |
| Ray Teal | Mr. Calloway |
| Russell Evans | Jimmee |
You have not reviewed this movie yet. Register to write a review »
No one on HelloMovies has yet written a review for this movie.
I'm hesitant to call "Band of Angels" a masterwork or one of Raoul Walsh's best. I just saw it for the first time and I felt that it could have been better after all the hoopla and praises I have read about it.
A Warner Bros extravaganza based on the novel by Robert Penn Warren, "Band of Angels" is a grand and episodic Civil War epic, a lyrical love story between a virile slave owner named Hamish Bond (Clark Gable) and half-white, half-black southern belle Amantha Starr (Yvonne deCarlo). "Band of Angels" begins with Amantha as a young girl whose wealthy white father is a recently deceased plantation owner in New Orleans. Shocked and heartbroken, Amantha discovers that she is mulatto and her mother is long departed black nanny. To pay off her family debts, Amantha is forced into slavery. At the auction, Hamish, out of nowhere, buys Amantha, brings her to his mansion and treats her like a lady, regardless of her stubbornness. Initially uncertain, both soon grow into one another and they discover that they can't live without each other. The 30-year-old Sydney Poitier provides good supporting role as Rau-Ru. [ show more ]
"Band of Angels" has a striking Technicolor photography and rich, untamed emotions that are captured by Max Steiner's wistfully searing score. It is a warm nostalgic piece, slightly unfocused at times, but well handled by Walsh, though it is nowhere near his best.
Not a classic but it's worth seeing for Gable, DeCarlo, Poitier, and Max Steiner's music. [ show less ]
The world was full of all colors during the time leading up to the Civil War in the South The cry for freedom was in the air like a rising wind Slaves have already gone wild on many plantations but not yet on Pointe du Loup, Louisiana, where it was still serene
Hamish Bond maintains a plantation outside New Orleans At the slave mart he buys a beautiful girl for $5,000 She is the daughter of a supposedly wealthy Kentucky planter After her father's death she discovered he has left her nothing but debts She also discovered her mother was a black slave and that, according to the custom of the time, she is classified of Negro blood and literally sold down the river to discharge her father's debts [ show more ]
Amantha Starr is horrified and degraded at the treatment shea well-bred white girlreceives when she becomes classified as a woman of mixed race
Hamish doesn't relegate the proud dark-haired woman to slave quarters but treats her as a lady in his household, where romance develops Clark Gable plays the New Orleans wealthy gentleman who got a past he'd like to forget He knows better than most men that money is no cure-all He used to think it was He used to think it would open the door to friendship and other essentials more important than power He used to believe it was everything: a drug for loneliness, a painkiller for certain memories, the whole apothecary shop for every problem of life
He bought the attractive Amantha because she was on the slave block Somebody else was bound to bid her on That fellow with laced cuffs putting his hands on her and he hates lace cuffs
Yvonne de Carlo plays Amantha, the lady of quality with Negro heritage She didn't go on her way north, nor she jumped the boat at Pointe du Loup She has suffered, and she always will, with Hamish or without him There always will be the fires, the memories because she loves him, and because he's the only man she ever loved, or ever will
The young Sidney Poitier plays the rebellious ambitious chief slave Rau-Ru who gets off the sidewalk for nobody No constable or paddy roll ever stopped him No steamboat captain ever asked to see his pass Will he feels lucky enough to deliver his boss to the hangman one day? [ show less ]
I saw Band of angels at the Cinemathèque in Paris about thirty years ago, and yet i have not forget the film. What a splendid melodrama, a melodrama like Emilio Fernandez "el indio" could do in Mexico, or the great Philipino author of "Insiang". A melodrama with political flavor. Of course we are in the United States in the Fifties, and we know Yvonne DE Carlo will not leave at the end with Sydney Poitier! But the idea -which is totally possible- of a person with black blood, appearing totally white, and even ignoring her family links was a good way to help a white audience realise the cruelty and the insanity of racism (didn't Upton Sinclair wrote a novell on this theme?). The scene in the boat where the slave merchant tries to rape Yvonne, and she commits suicide, films frankly a theme that was not common on an Hollywood film, the institutionalised rape of afro-American women by whites. In the same time the scene where she is sold in auction, (and bought up by Clarck Gable, one the most wanted man of the time), bring another strange dimension, the s&m one: its no longer filmed realistically, but like a nightmare or a dream, or a erotic fantasy. We are no longer in Gone with the wind but in Histoire d'O. [ show more ]
Of course, politically, for today standards, it is quite poor, and Sydney Poitier fight for his share with gusto in a film unable to make anything else than a stereotype. It seems the script didn't knew really what to do for him.
The black Mistress of Gable is better treated by the script: her role is to be remembered. She plays it with great sharpness. Was she a theater actress?
And the style of Hawks, those slow movements of camera, those colors...
You have to put back the film in the context...Its a courageous film. Its a clever film. It a very beautiful film. [ show less ]