A native girl falls for a visitor to her island, but she's chosen to be sacrificed to the volcano god.
| 1 hr 20 mins |
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| King Vidor |
| David O. Selznick | executive producer |
| King Vidor | producer |
| Leonard Praskins | |
| Wells Root |
| Dolores del Rio | Luana |
| Joel McCrea | Johnny Baker |
| John Halliday | Mac |
| Richard 'Skeets' Gallagher | Chester |
| Bert Roach | Hector |
| Lon Chaney Jr. | Thornton (as Creighton Chaney) |
| Wade Boteler | Skipper Johnson |
| Arnold Gray | Walker |
| Reginald Simpson | O'Fallon |
| Napoleon Pukui | The King |
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I despair of non-romantics taking the time to denigrate with their reviews ultra-romantic films, such as this.
BIRD OF PARADISE is a masterwork - superbly photographed (the lighting, composition and mobility of the camera are astonishing), lushly scored (Max Steiner's score is the first ever to run from beginning to end of a talking film), and lyrically directed. Del Rio's performance is perfection - a native woman whose only future is to be sacrificed to Pele, the God of Volcanos, who finds true love with a white man who visits her island and chooses to stay.
For romantics, this is a classic tear-jerker and an exercise in sheer visual beauty. The underwater swimming scene between a nude Del Rio and a McCrea clad only in the thinnest of briefs is unique in cinema. [ show more ]
Perhaps the Academy's shut-out of this work is due to its coming on the heel of the semi-documentary Murnau TABU, the year before which explored similar themes. No reason however not to nominate it for Del Rio's performance, the cinematography and the score.
One of the most visually beautiful films ever made and a must-see for romantics. [ show less ]
This was a scandalous picture for 1932, an interracial romance with a nude Dolores Del Rio. Bird of Paradise has Del Rio as the daughter of the chief of a South Sea Island where a schooner lands that has Joel McCrea in the crew. McCrea has left the Depression ridden USA behind and now wants to stay on the island. He's decided to see if all the stories are true about the hedonistic natives.
What he doesn't bargain for is falling for Del Rio. But she being the daughter of the head guy is spoken for. Nevertheless they elope in a manner of speaking and start kanoodling on another island.
You can see why this film was such a big hit that year. With so many young men out of work, who wouldn't want to take off to the South Seas as Joel McCrea did? I say young men because women for the most part were not considered part of the work force. [ show more ]
I think the problem later on with this film after the Code came in was not the alleged nudity, you can't tell in any event. Both McCrea and Del Rio spend a lot of time in various stages of undress. Nor is it the interracial romance, Dorothy Lamour later carried on with a lot of anglo visitors in the South Seas with the Code in place. I think the real problem is that the film in its way respects the animist traditions of the native religion. They worship the volcano on that island and no missionaries are around to tell them different. After 1935 you would NEVER see Del Rio making ready to throw herself in the volcano to save her man and his friends. And this is in fact accepted. I'm sure Joel must have wished the missionaries had been there and had converted the natives.
Bird of Paradise is dated, but still moderately entertaining. [ show less ]
This film is a good example of Pre-Code Hollywood Essentially the story of a sailor who falls in love with a native girl, this film has numerous examples of how Hollywood flourished before the production code set in some 3 years later. In most of the film Dolores Del Rio runs around in a straw skirt with nothing but a lei covering her breasts. In scenes where she is swimming, she appears to be totally nude with just some distortion in the water keeping us from seeing her totally naked. Also co-star Joel McCrea spends a good deal of the film walking around in his bathing suit.
The love scenes between McCrea and Del Rio vary. The first time it looks like rape, and Del Rio looks like she is visibly in pain. 3 years later the production code would not permit a white man to wed or be romantically involved with anyone but a white woman. [ show more ]
Among the crew of the ship is Richard "Skeets" Gallagher, who plays a stereotypically gay role, along with another sailor on the ship.
This film is now in the public domain and can frequently be found on television, and is available on DVD. [ show less ]
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