Talk about bizarre love quadrangles... This one involves a woman (Patricia Arquette) covered with body hair, a behavioral scientist (Tim Robbins) who's trying to teach mice table etiquette, his French laboratory assistant (Miranda Otto) who harbors a secret, and a feral man-creature (Rhys Ifans) who was raised in the wild like an ape. Eccentric doesn't begin to describe this movie -- better get out the tapering shears!
| 1 hr 36 mins |
Won 2 awards. See all awards »
| Michel Gondry |
| Anthony Bregman | producer |
| Julie Fong | co-producer |
| Charlie Kaufman | written by |
| Patricia Arquette | Lila Jute |
| Rhys Ifans | Puff |
| Tim Robbins | Dr. Nathan Bronfman |
| Ken Magee | Police Detective |
| Sy Richardson | Police Detective |
| David Warshofsky | Police Detective |
| Hilary Duff | Young Lila Jute |
| Stanley DeSantis | Doctor (as Stanley Desantis) |
| Peter Dinklage | Frank |
| Toby Huss | Puff's Father |
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As he managed to do in Being John Malkovich, brilliant writer Kaufman succeeds in creating a completely believable alternative reality, which he employs as a metaphor that pokes seemingly light (and therefore lethally subversive) fun at 'society' - what it means to be civilized, what it means to be free, how people judge each other based on ridiculously superficial differences of appearance, etc, etc. It works, because Kaufman IS so brilliant, and I left the theatre with the same feeling I had gotten from Being John Malkovich - inspired and gratified that someone like this not only exists in the world but actually gets to put his completely unique and uncompromising visions on the screen.
I read the IMDB reviews on this two nights ago, and decided not to rent this film. But then as if by coincidence, the next night I noticed it was on cable currently, so I taped it.
And I'm glad I did.
It seems some reviewers lament the lack of a message in this, I can appreciate such weighty films, hey I enjoyed the "Whale Rider," but such films often reduce down simply to hackneyed sententia. I'm kinda afraid life does as well...but this ain't the forum for that chat.
Charlie Kaufmann seems to specialize in *mixed* message films. I enjoy them as I enjoy a puzzle. They are thought-provoking both in theme and in details (don't know about you, but I had to look up Franz Kline...)
Other reviewers lament the onanism going on (or should that be down). To me, "Adaptation" was a whole lot more masturbatory, this has an easier-to-follow plot. The humor rises more quickly to the surface...and yes I did chuckle at times. [ show more ]
No one so far has voiced concern over this being a film that reflects back from the start. It is done deftly; although I know some people dislike that as a device.
There are several nice film tricks. A circular beginning/ending, Robbins clearly being in a closed afterworld, and nods to other films...Bambi, Tarzan, Frankenstein, Sophie's Choice... ;> No, I'm forgetting another real one. I'm not that familiar with the director's MTV exploits, but I'll rent that collection sooner or later.
No one here yet has mentioned Young Frankenstein (which I see as more of a prototype than Pygmalion...or even Oedipus Rex.) But there are some serious questions being posed. Less these days than in the 70's do we get pitched an idyllic ideal; one wherein if man were stripped of his modern trappings, social strictures, political oppression and other garb, would we find a purer being? Isn't that also an element of Marx/Hegelism?
Kaufmann weaves a new sort of unibrow...uniting the high and the low.
There are other more universal moments here. Arquette struggling not to care what others think about her. Robbins trying to chose between the sweet girlfriend and the saucy seductress, between his heart and his...
Ahem, still there's much more here than what I fear is found in "Me and Him." Libido is a prime mover...whether subjugated or conjugal.
I'm having a hard time wrapping this up...is it a film that states that human nature is deceitful (all of four main characters are in at least one charade)?
Again, I'm glad I rented it. I've got to get better at cross-referencing other reviewers when reading posts here. I think Kaufmann is a very gifted, and very conflicted guy.
7/10 [ show less ]
This is further proof that writer Charlie Kaufman is probably the most unique writer in show business and he's developing into quite the cult figure. This odd story is about a woman named Lila (Patricia Arquette) who's body is covered with hair and at the age of 20 she retreats into the wilderness to hide and she writes nature books to make ends meet. But after some time she decides to leave and get electro-dialysis because she gets horny. Her friend hooks her up with a shy and repressed scientist named Nathan (Tim Robbins) and they hit it off. Then while on a nature walk they discover a man (Rhys Ifans) living in the wilderness who thinks he's an ape. They take him back to Nathan's lab where he is going to teach him to be human. Only Kaufman could come up with such a ridiculous story and make it redeemable. The film is directed by Michel Gondry who is known for directing several of Bjorks videos and he makes his feature film debut here. I think the film works because Kaufman makes sure the viewer is not to take this seriously but at the same time the humor is not presented in an over the top way like some cheap attempt at laughs. The humor is more dry witted and it reminded me a little of something Albert Brooks might have thought of. Another thing I enjoyed was the performance of Arquette. She's the core of this film and it should remind everyone that she is able to carry a film by herself and that she's a very underrated actress. I've always been a big fan of hers and she's just not used in films enough. She does appear nude but she seems fine with it and she should, she looks great. The film wants to ask the question about sex and the difference between humans and animals and the environment we are all brought up in. When the film was over I wasn't sure what to make of it but once I found out that Charlie Kaufman wrote the script an immediate smile came across my face. Knowing he was behind this odd comedy seems to make all the sense in the world!