A sprawling war film, Midway stars nearly every actor who wasn't in A Bridge Too Far. Charlton Heston, ToshirĂ´ Mifune, Robert Mitchum and Henry Fonda are among the familiar faces depicting the American and Japanese forces in a naval battle that became the turning point of the Pacific war. Using some real wartime footage, Midway provides an exciting view of a gigantic battle.
| 2 hr 12 mins |
| Charlton Heston | Capt. Matthew Garth |
| Edward Albert | Ens. Thomas Garth |
| Henry Fonda | Adm. Chester W. Nimitz |
| James Coburn | Capt. Vinton Maddox |
| Glenn Ford | Rear Admiral Raymond A. Spruance |
| Hal Holbrook | Cmdr. Joseph Rochefort |
| ToshirĂ´ Mifune | Adm. Isoroku Yamamoto (as Toshiro Mifune) |
| Robert Mitchum | Vice Adm. William F. 'Bull' Halsey Jr. |
| Cliff Robertson | Cmdr. Carl Jessop |
| Robert Wagner | Lt. Cmdr. Ernest L. Blake |
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I can't help but agree with most of the other comments: the sloppy production values, the scenes "borrowed" from better movies, the countless anachronisms, the distracting subplot about Lt. Garth and his Japanese girlfriend, and so on. But for me, this movie has two strong points in its favor. One, when they get around to the actual battle, they follow the history with surprising accuracy. (The "Pearl Harbor" makers could have learned something from this one.) So the movie's hard to follow? So was the actual battle! Personally, I think they did a pretty good job of keeping the flow coherent while still remaining faithful to its source material.
The second thing in its favor is that, from the moment I first saw it in the theater as a 10 year old, it ignited in me a passion for the Battle of Midway that remains to this day. I can't think of any other movie that even comes close to getting me as hooked on its subject as this one. Maybe it's a good thing I first saw it when I was young, when I was much less discerning about production values, etc. That way, I could concentrate on the story itself. [ show more ]
If you have even the slightest interest in military history or even in important historical events in general, do yourself a favor. Watch "Midway" to get an overview of the event (fast-forward over the love-story scenes if you like), then go read "Incredible Victory" by Walter Lord (which is a better book than the one for which he is most famous, "A Night to Remember"). You won't be sorry. [ show less ]
This was one of my favorite movies when I was growing up and building models of land, sea, and air craft of the WWII period. Of course we all could have done without the romantic interest, but what counts is the overall telling of the story accurately (even if that includes sideline dramatizations etc.). In a nutshell Midway was a gamble and even though we knew where they'd be, we still took it on the chin with the loss of most of the aircraft and the Yorktown (which left only 2 effective carriers in the pacific and 1 in drydock). In the end we were lucky enough to be able to inflict sufficiently more damage on them than they did on us. This is the story that is told so well. It doesn't matter that the special effects were less than stellar (e.g., view of the fleet from the sealevel - obvious miniatures) or that they showed Essex class carriers which did not yet exist getting hit by kamikaze. The film is true in its depictions of gambles, gaffs, and good fortune which in the end allowed us to be victorious and end Japanese expansion. So quit knocking it and enjoy it for what it is!
Of course "Midway" is a flawed movie. The subplot about Japanese-Americans is ridiculous and seems like a forced attempt to be PC during the post-Vietnam 1970s when it wasn't in fashion to be completely celebratory of America. Of course it's unsatisfying that the Japanese actors don't speak Japanese and we have to hear Paul Frees dubbing Toshiro Mifune. Of course the stock footage isn't going to please aviation and naval buffs who know these details like the back of their hands, but to me this is a trivial complaint that fails to take into account the limits of 1970s technology or budgeting. "Pearl Harbor" ultimately got those details right through CGI and the end result was a far worse film in the final analysis. Because ultimately, for all the flaws that are in "Midway" it succeeds because it does stick to the essential truths when telling the story of the battle, and I know this because when I first saw this movie on the CBS Late Movie around 1979, I got so hooked that I went out and read every book on the battle I could find including Walter Lord's "Incredible Victory." The movie had given me a starting reference point and while I was sorry that some key aspects of the latter stages of the battle were not depicted (such as the torpedoing and eventual sinking of the Yorktown), I couldn't have asked for anything better in terms of getting me to learn more about this great turning point of World War II. As far as I'm concerned, it's good that Hollywood did tackle this subject in an era when the influence of "Tora! Tora! Tora!", "The Longest Day" etc. still hung over the proceedings because if it hadn't been made back then, we would today be forced to see it given the "Pearl Harbor" and "Titanic" treatment that is pure garbage. [ show more ]
John Williams contributes one of his finer pre-Star Wars scores with two great themes, the "Midway March" (which is only heard in the end credits of the theatrical version and became more popular in an expanded concert arrangement by the Boston Pops) and the "Men Of The Yorktown March" which dominates much of the score and offers great foreshadowings of the Throne Room sequence in "Star Wars" and the Smallville music in "Superman." [ show less ]
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