Director David Lean's sweeping epic is set in a Japanese World War II prison camp where British POWs are forced to construct a railway bridge as a morale-building exercise. Yet the real battle of wills is between "play by the rules" British colonel Nicholson (Alec Guinness), who is dedicated to the project, and his American rival (William Holden), who vows to destroy it. The POWs' whistling work theme became legendary.
| 2 hr 41 mins |
Won 3 Golden Globes, Won 7 Oscars, Nominated for 1 other Golden Globe, Nominated for 1 other Oscar, Won 17 other awards, Nominated for 3 other awards. See all awards »
| David Lean |
| Sam Spiegel | producer |
| Pierre Boulle | novel "Le pont de la rivière Kwai" |
| Carl Foreman | screenplay, originally uncredited |
| William Holden | Cmdr. Shears |
| Jack Hawkins | Maj. Warden |
| Alec Guinness | Col. Nicholson |
| Sessue Hayakawa | Col. Saito |
| James Donald | Maj. Clipton |
| Geoffrey Horne | Lt. Joyce |
| André Morell | Col. Green (as Andre Morell) |
| Peter Williams | Capt. Reeves |
| John Boxer | Maj. Hughes |
| Percy Herbert | Pvt. Grogan |
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This is a really thoughtful and powerful movie about war-as-insanity, kinda like Catch-22 if the movie had been good. Characters act according to their personal codes and their honor, rather than acting either in their own best interests, or even in the interests of their country. The film functions as a criticism of those personal codes, and their ability to justify acting without critical thinking. The movie is beautifully directed, with gorgeous scenery, and the character acting is phenomenal. Both Hayawaka and Guinness are brilliant -- Guinness in particular manages to be an extreme character type while still seeming like a real person. His inner passion contrasts with his outward closedness in a distinctly British way. [ show more ]
The ending is fabulously tense. I first watched this as a kid (say 8 years old), and I remember my mom telling me to go to bed. I refused, and my dad intervened to let me finish it, which is good, as the ending really changes what came before. I remember spending hours thinking about it. I think it was the first serious movie I ever saw. At any rate, every time I've seen it since, I've really loved it, despite some datedness. Highly recommended. [ show less ]
I am normally an admirer of David Lean. But it is difficult to understand why he chose to base this film on a real event at the River Kwai, as it grossly misrepresents the real "Colonel Nicholson" and caused considerable distress to both him and the River Kwai veterans.
The Colonel Nicholson character is based on the allied camp commander, Lieutenant Colonel Philip Toosey, who was a remarkable officer by any standards.
Awarded the DSO for heroism during the defence of Singapore, he refused an order to join the evacuation so he could remain with his men during captivity. In the hellish conditions of the camp, he worked courageously to ensure that as many of his men as possible would survive. He endured regular beatings when he complained of ill-treatment of prisoners, but as a skilled negotiator he was able to win many concessions from the Japanese by convincing them that this would speed the completion of the work. Behind their backs, however, he did everything possible to delay and sabotage the construction without endangering his men, and also helped organise a daring escape, at considerable cost to himself. For his conduct in the camp, he won the undying respect of his men. [ show more ]
After the war, he showed great generosity of spirit by saving the life of Colonel Saito, second in command at the camp and a relatively decent officer, when he spoke up for him at the war crimes tribunal. He worked for the veterans all his life, and became President of the National Federation of Far Eastern Prisoners of War.
He refused repeated requests by the veterans to speak out against the film, being much too modest to seek any glory or recognition for himself. However you will find his achievements documented in a book by Professor Peter Davies entitled "The Man Behind the Bridge".
Toosey hoped that no one watching the film would believe a British Army officer could be so stupid in real life. But with the film being rated on this site as one of the top 50 movies of all time, this hope may have been misplaced. Enjoy the film by all means as a work of fiction, but it is surely important to set the record straight and recognise the heroism of the real man involved. [ show less ]
Within the Conflict that was World War II, there were many more smaller, more personal conflicts which, when added up, made a significant impact on the outcome of the War; though trying to explain them, or war in general, is like attempting to decipher the indecipherable. In `The Bridge On the River Kwai,' director David Lean takes you deep into the Burmese jungle to examine some of these deeper conflicts, and the effects of extraordinary circumstances on some ordinary men: British Colonel Nicholson (Alec Guinness) is a man of rigid principles and ideals, to whom acquiescence in any quarter is not an option; Japanese Colonel Saito (Sessue Hayakawa) lives by an inflexible code of conduct and is adamant in his adherence to it, through which he maintains his dignity and honor; American Navy Commander Shears (William Holden) just wants to make it through the war alive and get back home. [ show more ]
As an integral part of their war effort, the Japanese have ordered a strategic bridge to be built across the Kwai River to facilitate the transport of troops and equipment. This monumental task has been given to Saito, the commandant of an allied prisoners-of-war camp; and not only must he build it, it must be completed by a specific date. And time is short. Toward that end, Saito has pressed into service every prisoner, including officers, whom according to the Geneva Convention of 1864 (which established rules for the humane treatment of prisoners of war), are to be excluded from any manual labor. When a fresh contingent of British prisoners arrives to bolster his complement of workers, Saito finds himself up against a formidable opponent, Nicholson, who immediately informs Saito that his officers will not work, in accordance with the rules of the Geneva Convention. And it's the beginning of another war-- a war of wills-- between two men determined to win at any cost. To Saito, this is more than just another assignment, it's an obligation, and failure is not an option. If he does not succeed in having the bridge built-- and on time-- he will be forced to take his own life, in accordance with his own moral code. Nicholson, on the other hand, is unyielding to the point of madness, and will die before he accedes to Saito's demands.
Meanwhile Shears has managed by some miracle to escape and has made his way back to Ceylon. And he's home free-- after some recuperation time at Mount Lavinia Hospital, he'll be on his way back to the states. Or so he thinks. But unbeknownst to him, the British are aware of the bridge being built on the Kwai, and are planning a commando raid to destroy it. And Shears has something they need: First hand knowledge of the precise location, and of the jungle through which he made his miraculous escape. Subsequently, the Navy agrees to `loan' Shears to the British, to aid them with their mission. So instead of a ticket home, Shears is faced with another arduous trek through an uncompromising jungle, all for a mission of which the odds against success are nearly incalculable.
From the beginning of the film to it's spectacular climax, Lean builds and maintains a subtle tension that underscores the drama, which makes this a compelling, unforgettable motion picture. Lean is the Master of epic films such as this, filling them with sweeping visuals while integrating them with the emotional involvement of his characters perfectly. Lean knows what he wants and how to get it, and he takes a terrific story (and this definitely is one) and tells it by using every bit of space--visually and audibly-- at this disposal. And most importantly, he knows how to get the kind of performances from his actors to put it all across so convincingly and believably.
Alec Guinness deservedly received the Oscar for Best Actor for his role of Nicholson, whom he embodies from the inside out, disappearing so utterly into the character that the actor is forgotten, leaving nothing but the real man in his stead. It's a superlative piece of acting from one of the truly great actors of all times. Holden, as well, delivers an outstanding performance as Shears, capturing that somewhat embittered, off-handed sarcasm and resignation of a man trapped by circumstances beyond his control, who nevertheless does what he can to make the most of it, while awaiting the first opportunity for escape that affords itself. Holden's work here is Award-worthy, as well, but was destined to forever remain in the shadows of what is probably the definitive Guinness performance. And what a rare treat, having two performances of this caliber in a single film.
Other notable performances include Hayakawa, entirely convincing as the tormented Saito, and Jack Hawkins, as demolition expert Major Warden, the absolute personification of the undaunted British stiff-upper-lip.
The supporting cast includes James Donald (Clipton), Geoffrey Horne (Joyce), Percy Herbert (Grogan), Ann Sears (Nurse) and Andre Morell (Green). Beautifully filmed and expertly crafted and delivered, `The Bridge On the River Kwai' is one of David Lean's masterpieces. It's an emotionally involving, dramatic action/adventure that offers some real insight into the determination and tenacity of the human spirit. This film (especially the ending) is one you will never forget; a classic in every sense of the word, it exemplifies the magic of the movies. I rate this one 10/10.