The hills are alive with the sound of singing siblings and nuns! In Rodgers and Hammerstein's greatest collaboration, a feisty postulant named Maria (Julie Andrews) is sent to care for the unruly, motherless Von Trapp children. She soon tames them -- and finds herself falling for their stern father (Christopher Plummer). Oscar-winning director Robert Wise used stunning Austrian locations to transform the stage musical into a cinema classic.
| 2 hr 54 mins |
Won 2 Golden Globes, Won 5 Oscars, Nominated for 2 other Golden Globes, Nominated for 5 other Oscars, Won 6 other awards, Nominated for 3 other awards. See all awards »
| Robert Wise |
| Saul Chaplin | associate producer |
| Peter Levathes | executive producer, uncredited |
| Russel Crouse | book |
| Ernest Lehman | screenplay |
| Julie Andrews | Maria |
| Christopher Plummer | Captain Georg von Trapp |
| Richard Haydn | Max Detweiler |
| Peggy Wood | Mother Abbess |
| Anna Lee | Sister Margaretta |
| Portia Nelson | Sister Berthe |
| Ben Wright | Herr Zeller |
| Daniel Truhitte | Rolfe |
| Norma Varden | Frau Schmidt |
| Marni Nixon | Sister Sophia |
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While many people agree that the Sound of Music is one of the best films of all time, some are at a loss to adequately explain why; they buckle under and admit that there are parts that are syrupy, etc. Well, I'll tell you why it's the best movie ever (and I DON'T agree that it's too syrupy). It simply has everything one could want in a movie. First of all, it has a REAL romance - one where you can watch the characters slowly fall in love. It's not like today's movies where two characters meet and the next scene is them waking up together. Secondly, it has humor. Not syrupy or corny humor, but very wry, dry tongue-in-cheek humor. For evidence, look at the quotes. Baronness Schraeder is especially well-done in this regard. Her comments simply drip with ice. "Good bye, Maria. I'm sure you'll make a fine nun." You want to smack her. Thirdly, it's got adventure. The Nazis are the ultimate villains in any movie - WWII was as clear a case of good vs. evil as you can find, making it great fodder for films - and so it's great to see Maria, the Captain and the kids outwit them. Fourthly, it's got great music. Fifthy, it's got great scenery. And the plot and dialogue are astounding. I find new things to admire each time I watch. Finally, is there a greater scene in any movie than the nuns revealing the stolen Nazi car parts??? "The Sound of Music" does not just succeed because it cheers people up with syrup or song. It succeeds because it is a wonderfully-constructed, wonderfully-written, wonderfully-acted, brilliant movie. For me, no other movie can compare. Not to be obsessed with it or anything. :)
Watching my Mother dancing and singing to the songs of "The Sound of Music" at the age of five was incredibly disturbing. It was seven years before anyone was able to sit me down in front of the T.V to the musical during the annual telecast in Sydney. Almost to my horror, I was falling in love with the musical. More than two years later, not a single movie has been able to pass it in my favourite movies stakes.
I have made judgemental mistakes with great movies. Greats like "Casablanca", "The African Queen" and "The Wizard of Oz" have originally also been frowned upon.
"The Sound of Music" expanded my horizons on the movie world. I eventually went on to view non-musical classics as a result of this single movie, and now old classic movies have become a genuine passion. [ show more ]
Rodgers and Hammerstein wrote their greatest work in the form of their last musical, despite the fact it was "Carousel" that was their favourite. Although the changes made from the original stage production have now been evident in the arrival of the excellent musical currently playing in Sydney, much have been for the better. Throughout their career, the duo created immortal musicals, but in story, song and film, "The Sound of Music" surpasses "The King and I", "Oklahoma!", "Carousel" and "South Pacific" in all aspects.
We all know the story. We know of at least one of the immortal songs from the musical, "The Sound of Music", "My Favourite Things", "Do-Re-Mi" or "Edelweiss". Julie Andrews was believable and unforgettable as the sweet, outspoken novice nun turned governess, who should have taken out the oscar that year. Christopher Plummer was dashing as the Captain, and the supporting cast was one of the best I have ever seen. Fond memories have been remembered from some of the unforgettable sequences of this film that deservedly made it the best picture of 1965.
Yes, there are sugary elements in the movie that cannot be denied. But this movie has never been reliant upon sex, violence or drugs to make it one of the best things to come out of Hollywood. It can be appreciated truly for what it is, pure art, talent and spirit. It is not a real perception of the world nowadays, but for all the joy it brings, who cares?
It was the last movie I expected to love as a fourteen year old. It was also the first movie I watched in seven years that could manage to make me shed tears, and view it in loving admiration which cannot be equalled.
"Singin' In the Rain" is the only other contender to the title of "The greatest movie ever made". Whatever its flaws, "The Sound of Music" is one of the worlds best loved treasures which keeps bringing generations of viewers to its attention.
Rating: 10/10
This film is a triumph in all departments. Every aspect, from the cinematography to the acting, the sets to the costumes, the music, choreography, script, is top notch. While the film is family friendly and has a sweet story, it is constantly amazing the way people attack it as saccharine and sugary. This can certainly be said of the stage show, but the movie version has been carefully produced to provide a more well-rounded vision. Ernest Lehman worked wonders with the underdeveloped and unremarkable dialogue of the play. He inserted so many moments of wit, humor, romance and poignancy that are nowhere in sight in the original. the art directors purposefully chose muted settings and colors. Each of the actors bent over backwards to provide a brilliant performance. Andrews is already down in history for the performance of a lifetime (and a voice to match), but Plummer is not to be forgotten. Not only is he regal and handsome, but his decision to play the Captain as a complex, sophisticated man with a sly dose of sarcasm was wonderful. His steely, stern persona is eventually melted down by the irrepressible Andrews to great effect. Every supporting performance is also delivered with the right amount of appeal, humor or menace as called for in the script. However, the one that takes the cake....that amazes each time, is the slinky, catty, toweringly glamorous Parker as Baroness Schraeder. Wisely, her songs were cut, further separating her from all the glee around her, so that she could whip out such zingers as "Why didn't you tell me....to bring along my harmonica?" or when she's told that Andrews may not make a great nun, "If you need anything, I'd be happy to help you." The character is given a much more polished and integral position in the film versus the stage and virtually every line of her dialogue (unlike in the play) is a howler. Though Wood was lovely in her role as the Mother Abbess, it was Parker who should have gotten an Oscar nod....and WON! Every expression, every syllable, every glance belies the decades of experience Parker gained as a leading lady during the 40's and 50's. Her clothes by Dorothy Jeakins are awe-inspiring. This type of film-making is GONE. The location photography, the simplicity of story and design, the sheer good-spiritedness of it all...they just can't do this anymore. Thankfully, there's this flawless gem to turn to when one just want to feel good. But saccharine? No..... Compare this to other beloved musicals with their garish colors and sugary story lines ("Seven Brides...", "Singin' in the Rain", "...Molly Brown", "The Music Man", to name just a few...) They are all highly enjoyable, but are hardly less sweet than this! Just one word.....Nazis!! Though virtually everyone knows the outcome, there is still genuine suspense at the climax of "The Sound of Music". The film has it all.