The Spirit

Stephen T wrote:

This movie was done in the same way sin city was filmed... except.... CRAPPY!

crimsonica wrote on IMDB:

I must say that I was somewhat excited when my friend told me she got us tickets to the premiere of "The Spirit", especially since I've never been to a real premiere. It was an entertaining experience, all except for when the film was rolling.

I liked Sin City a lot, and I thought 300 was intriguingly well made and quite entertaining. Let's just say that compared to 300, "The Spirit" entertains more like Howard the Duck. The entire film seems like a total farce, an unfortunate mockery of Miller's unique style himself. It has been a very long time since I've seen a film with such little (to no) heart, and hardly any soul. I must say that Sarah Paulson gave the greatest performance by far of anyone else, as the Spirit's unconventional doctor. She is the sole source of any feeling or depth in the film. Macht was also at his best in the lead role when sharing scenes with Paulson, otherwise, he barely filled the part. I don't know if that was his fault however, given that the character himself was depicted with very little depth overall. I never read the graphic novel, but I'm going to go ahead and guess that this doesn't do it justice. How can I say that? Because novels build key characters into "people" that you care about, whether you hate them or love them, the characters stimulate your mind on some level or another. This is far from the case in this film. There is very poor development of the characters, which the majority of potential watchers are unfamiliar with. Sam Jackson has unfortunately chosen another terrible role, as the non-intriguing villain, the Octopus. Jackson however does give us some of his crazy wild eyed antics that we've grown to accustomed to, although his character falls flat for the most part, especially considering his opposite on the screen, Scarlett Johansen. It almost seems as if Miller was asleep on the set when her scenes were shot. She's THAT bad in this film, with a deeply sub par android-like performance. Eva Mendes did what she could to somewhat save the film from being a complete and total joke, although it's pretty close to being just that. She plays the bling digging female lead opposite Macht. Now quite possibly the most annoying character(s) ever portrayed on film are the Octopus's cloned henchmen, which were frighteningly reminiscent in annoyance levels of.......... dare i say it... Jar Jar Binks. My four year old nephew would surely find some entertainment value there.   [ show more ]

This film ultimately succumbs to its poor writing and direction, which are almost cleverly masked by the signature visual style of Miller, which is hypnotizing at times. Unfortunately, it's hardly hypnotizing enough to mask the true, soulless identity of "The Sprit".

- Crimsonica [ show less ]

A_Roode wrote on IMDB:

I love the interview with Lorenzo Semple Jnr, screenwriter for 'Flash Gordon,' when he suggests that the film would have been a big hit if only they'd been able to market it as a movie that would be a cult classic in thirty years. He goes on to explain what the core problem is: A cult film, by definition has fanatical supporters ... just not a lot of them. Those who 'get' the film will keep it alive forever, but Joe Moviegoer won't care if he ever sees it again. And so I turn to 'The Spirit,' a film which has similar qualities to 'Flash Gordon': bad enough to be awesome, tongue firmly in it's cheek and gentle satire in it's hand.

'The Spirit' manages to be wondrous and infuriating. A visual feast, Frank Miller was the perfect choice to bring the film to life. On the other hand, the dialogue is often so cheesy and the characters so over the top that the movie never allows you to be lulled into that wonderful moment of forgetting that you're watching a movie. There isn't a single character in the movie who talks like a real person. They all talk like, well, comic book archetypes: gruff commissioner, megalomaniacal super villain, brilliant evil assistant, sultry femme fatales, loyal and uninteresting love interest, and on and on. Take Samuel L Jackson's character, 'The Octopus' for example. It is a character that Jackson was born to play and Sam throws every ounce of his endlessly entertaining and over the top style into the character. It works and he plays the part brilliantly because he takes ridiculous dialogue and ridiculous material and has wild amounts of fun with it. The cast, by and large, follow his lead. Scarlett Johansson is hilariously withering with her acerbic barbs to The Octopus' clone lackeys, all of whom are played with deadpan wit and verve by Louis Lombardi. It is hard, in fact, not to feel some pity for Gabriel Macht who has to play Bud Abbott to a cast of rollicking, scene-chewing Lou Costellos in an over-acting competition. It all works wonderfully if you're willing to view the film as, uncharitably, being unintentionally funny or more genuinely as a gentle lampoon of comic book films by one of the great figures of the graphic novel genre.   [ show more ]

Frank Miller takes 'The Spirit' and has great fun with it. It is quirky at times, ham-handed at times, but lovingly made. A brilliant Noirist, Miller actually has much better luck in 'The Spirit' in moments of levity. The noir angles of this film don't work unless designed as a kind of self-righteous satire. The noir feels forced and dramatic moments are mercilessly skewered by the corny dialogue that a helpless Gabriel Macht delivers with straight-laced determination. 'The Spirit' has the look of 'Sin City' and the heart of 'Flash Gordon.' When it works, it works well, but the film is a terrible mess whenever it is trying to be serious.

So is it worth the ride? I think so if you go in with the proper expectations. There's not really anything new visually if you've seen 'Sin City' or '300' -- both Miller works of course -- but that didn't make them any less interesting to me. Plenty of humour where it may or may not have been planned and the potential to be a cult classic. This is the kind of movie you can best enjoy in the company of friends and a cold six pack. Look for diamonds and you're looking for too much. And if nothing else, Eva Mendes has never looked better on film than she does here. That's got to stand for something, right? [ show less ]